James handles our sound supervision, sound editing and mixing. With a rare blend of organisational talent and creative flair, James is as adept at managing your projects audio schedule and logistics as he is at bringing your story to life through his sound design and mixing. As a certified pro tools operator and graduate from an Audio Engineering BSc with first class honours his technical merits speak for themselves, whilst his sound design work has helped clients find success at major festivals such as the Court Métrage at Festival de Cannes. By putting the audience and your narrative first, he aims to give your story the most powerful voice possible.
Sound Editor & Mixer
With so many other high class facilities, sound recordists and engineers in the industry why should you choose Noise Four? The answer is simple, if you want a bespoke service wherein a single price can ensure high class audio from location to delivery, that has your message, story, and audience at the forefront of every stage, then Noise Four are your team.
We have a lot of time for storytellers, and understand that great tales come in budgets of all shapes and sizes. Our unique situation and partnerships mean that we can cater to a large variety of budgets allowing us to help content creators from all walks of life to achieve the best possible audio you can with the budget that you have.
With a keen ear for rhythm and timbre, along with a sharp eye for sync, Rob ensures every nuance of your project will be approached prudently; whether that be a key performance on set, a character-defining foot scrape in Foley, or subtle off-screen effect in the mix. With six years of practical and technical audio knowledge Rob is capable of delivering a quality product for audio visual media. With qualifications ranging from Pro Tools 210M to a first class Audio Engineering degree with honours, his combination of technical and creative skills have contributed to being part of multiple award-winning films.
Location Sound Recordist
Foley Artist & Sound Editor
Having grown up playing bass guitar in a variety of bands, putting on shows, and eventually moving into live engineering, the move into professional audio engineering came naturally to Martyn, and he prides himself on bringing a musical approach to all aspects of his work. Location and post-production audio for films have become Martyn’s primary concentration; the balance of creativity, teamwork and focus has proven to be the perfect professional challenge! Whether on-set as a Boom Operator, editing and mixing films in the studio, or on stage performing, he aims to ensure that great sound is front and centre for his audience.
Location Sound Recordist & Sound Editor
In 2016, Oscillate Recordings partnered with Noise Four to be able to offer post production sound services in two world-class facilities. Oscillate’s larger studio, based in Knutsford, has seen acts such as The Courteeners grace its live room, with a Neve desk, ATC monitors, and a full Avid HDX system. The post production facility in Manchester’s Northern Quarter has been used by large organisations such as the BBC, The Film Foundry and MTV. Besides the practical benefits that this partnership provides for our clients, it also allows a greater range of storytellers to bring their vision to life.
Visit the Oscillate Recordings website here
An, award winning Composer, Myles works in the European independent short film market. He has experience in composing for Corporate, Commercial and Community Arts media. Myles, graduated from Salford University studying Popular Music and Recording, excelling in composition. He also gained valuable experience working as Technical support at The Manchester Midi School after gaining a diploma in Music Production and Sound Recording. Myles’s writes unique music that can fit seamlessly into any project. His focus is to write bespoke and eclectic music for different media including Film, Documentaries, commercials and games.
Carl Brown has been recording artists for many years, but has recently drawn his attention to post production. Having gained experience working on two feature films and numerous short films, Carl has become a versatile audio engineer having worked as a Dialogue Editor, Foley Artist and Sound Designer. Carl has also produced tracks for many artists that have gone on to achieve great success, and is currently working on a special collaboration work with some high-profile American artists.
Dialogue Editor, Foley Artist and Sound Editor